Pizza delievery in Tehran: I would have thought it unlikely. Heck, I didn't even know Iran had pizza. A trip to the movie Crimson Gold might do me some good then. A.O. Scott writes in the New York Times:
Mr. Kiarostami, the lion of contemporary Iranian art cinema, and Mr. Panahi, who has established himself with "The White Balloon" and "The Circle" as one of Iran's leading urban filmmakers, set out to explain what drove the robber, a pizza deliveryman and a veteran of the Iran-Iraq war, to his desperate, self-destructive act of violence. The answer is not altogether surprising, and at times "Crimson Gold" exhibits a finger-pointing didacticism as it exposes the cruelties and inequities of a society sharply polarized by class and corrupted by selfishness, snobbery and cynicism. But the occasional obviousness of the film's themes is more than balanced by the subtlety of its methods, and by the stolid, irreducible individuality of its protagonist, Hussein.